This ticket is sold subject to these Ticketing Terms and Conditions (the “T&C”). The T&C should be read carefully prior to purchase and purchase of Ticket(s) constitutes acceptance of the T&C.

• Latecomers will not be admitted into the auditorium once the performance has begun. Entry will only be permitted during intermission, if applicable.

• This ticket must be produced to gain entry into an event.

• Removing any part of, altering or defacing the ticket may invalidate it.

• This ticket must not, without the prior written consent of Dubai Opera, be resold or used for advertising, promotion or other commercial purposes, if not the ticket will be cancelled immediately.

• This ticket is only valid for the specific date, time and event shown.

• Dubai Opera does not offer refunds or exchanges as a result of a change in your personal circumstances. Dubai Opera at its sole discretion may only refund or exchange a ticket if an event is cancelled or rescheduled and you cannot attend the rescheduled event. This includes, but is not limited to, any circumstances related to Covid-19 which might prevent you from attending.

• Dubai Opera can only replace lost, stolen or damaged tickets if the authenticity of the ticket can be verified, including proof of purchase, subject to replacement fee.

• Dubai Opera reserves the right to add, withdraw, reschedule or substitute artists and/or vary advertised programmes, prices, seating arrangements and audience capacity without prior notice.

• Admission to an event is subject to Dubai Opera’s Conditions of Entry which can be found on Dubai Opera’s website www.dubaiopera.com

• Where concessions are applicable, valid proof of identity and concession entitlement must be provided for collection of tickets at the event.

• Entry to the event may be subject to age restrictions specified in Dubai Opera’s website www.dubaiopera.com or in publicity for the event, and no refund will be made on the grounds that the ticket holder was not aware of such age restrictions.

• Dubai Opera reserves the right without refund or compensation to refuse admission/evict any person(s) whose conduct is disorderly or inappropriate or who poses a threat to security, or to the enjoyment of the event by others.

• The ticket holder agrees to submit to any search for any prohibited items including but not limited to weapons, controlled, dangerous and illegal substances and recording devices.

• The use of mobile phones, camera and other electronic devised inside the auditorium are prohibited. Exceptions may occur depending on the type of event.

• The ticket holder voluntarily assumes all risk and danger incidental to the event whether occurring prior to, during or subsequent to the actual event, including any death, personal injury, loss, damage or liability.

• Food & Beverage purchased outside Dubai Opera are not permitted. Food and beverages are strictly prohibited inside the auditorium. This applies before the show, during the show and during the intermission. Exceptions may occur depending on the type of event.

Dubai Opera is the ideal venue to celebrate elegance and style. Kindly avoid overly casual or provocative attire, such as shorts or flip flops, to uphold our venue standards. Guests not complying with the dress code will not be permitted entry.

6+ years would require a ticket to enter the Dubai Opera Main Auditorium.

Below 6+ years are not permitted into the Dubai Opera Main Auditorium.

Approximately 3 hours including intermission

Latecomers will not be admitted into the auditorium once the performance has begun. Entry will only be permitted during intermission, if applicable

Act I

Rodolfo and Marcello are freezing in their cold attic-room. Despite the poet throwing the manuscript of his play in the fire, the burning love scenes cannot exude enough heat. Colline arrives - with empty hands, as pawnshops are closed on Christmas Eve. Schaunard, however, brings money and delicious food. They divide the money, and eat ravenously. Unexpectedly, the landlord turns up to collect the unsettled rent, but soon they manage to get rid of him, and make their way to the café. However. Rodolfo has to write a poem first, so he follows his three friends later. Hardly has he got down to work when there is a knock at the door: Mimì is standing at the threshold. The wind has blown her candle out. The two hearts soon reconcile, and love starts to blossom in the small attic-room lit by the magical moonlight.

Act II

While a colourful crowd is whirling in the bustling streets, in Cafe Momus the four good friends and Mimì are celebrating Christmas Eve. Marcello's former love, Musetta appears with an elderly gallant, Alcindoro. She immediately seizes the opportunity to regain the painter's affection. With some clever acting, she loses the fooled gallant, and falls into Marcello's arms. As the bohemians have run out of money, when Alcindoro returns to the cafe he finds only the unsettled bill.

Act III

At a foggy and cold dawn near Barriére d'Enfer, in the outskirts of Paris. Mimì is looking for Marcello, who is living with Musetta in the tavern next door. She tells him of her grief: Rodolfo is continuously torturing her with his jealousy, and always suggests that they should separate. Both suffer terribly, and still cannot live without the other. Marcello promises to help them. Mimì walks off, but after some steps she hides behind a tree. Rodolfo steps out of the tavern, and after some hesitation he tells his friend the reason for his strange behaviour. He still passionately loves Mimi, as strongly as at the start, but the girl is fatally ill; she only has a chance to survive if they separate and Mimì finds someone who can provide more adequate living conditions. Mimì's loud weeping reveals her presence and that she has heard everything. Mimì and Rodolfo, both in tears, decide to remain together until the spring, while Musetta and Marcello start one of their usual quarrels.

Act IV

Rodolfo and Marcello are working in the attic-room again, or, rather, they would be working if their memories did not disrupt their imagination. They are both daydreaming about Mimì and Musetta. Schaunard arrives with Colline, and the mood brightens. When the high spirits are at their zenith, Musetta arrives suddenly: Mimì is coming. She has collected all her strength so she could die in the place where she used to be so happy. The two lovers are left alone, and they recall their first encounter. Then the bohemians and Musetta return one by one. When Colline, the last to arrive, closes the door, Mimì – silently, and almost unnoticeably – falls into an eternal sleep